Im Buch
Ergebnisse 1-3 von 32
Seite 13
In principle , this projective — that is to say , perspectival - geometry concerned all possible images that cast all possible figures onto all possible surfaces ; for simplicity's sake , Poncelet , too , adhered , first , to flat ...
In principle , this projective — that is to say , perspectival - geometry concerned all possible images that cast all possible figures onto all possible surfaces ; for simplicity's sake , Poncelet , too , adhered , first , to flat ...
Seite 83
We know this figure well , but there is little evidence to suggest that the literal - mindedness of our one ... The goal of reading the figures composed in the arts - and - letters relays is to learn how to make a figure oneself ...
We know this figure well , but there is little evidence to suggest that the literal - mindedness of our one ... The goal of reading the figures composed in the arts - and - letters relays is to learn how to make a figure oneself ...
Seite 101
The ultimate trauma is precisely the reflexive redoubling of trauma , which eventually comes to figure as the inevitable erasure of every figure and thus announces the final impossibility , which is the very possibility of writing .
The ultimate trauma is precisely the reflexive redoubling of trauma , which eventually comes to figure as the inevitable erasure of every figure and thus announces the final impossibility , which is the very possibility of writing .
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according allowed already American android animal appears associated becomes begin Birth body called cinema comes concept connection creativity dead death describe desire dream effect eternal event Evita example experience experimental fact father figure finally fire flesh flux fragment Freud frog function future half-life hand Hitchcock human incorporation invention Italy kind later light living loss machine marks mass mathematics means memory Michigan mourning narrator nature never Nietzsche object once organization original painting passing past Perón perspective philosophy play political possible precisely present problem produces question radio reading relation requires rigor scene seems sense sexual social story sublimation suggests surface theory things thinking thought tion turn University Press writing York