Im Buch
Ergebnisse 1-3 von 16
Seite 56
Guilford sought to map the parameters of creativity , but he offered a tautological definition : if creativity requires an original response , then original responses are traits of creative individuals . Merely to state the obvious in ...
Guilford sought to map the parameters of creativity , but he offered a tautological definition : if creativity requires an original response , then original responses are traits of creative individuals . Merely to state the obvious in ...
Seite 57
Criticisms of narrow notions of creativity have invariably alluded to Torrance's test . Critics complain that knowing ways to use bricks has little to do with innovations or creativity in a large - scale social context .
Criticisms of narrow notions of creativity have invariably alluded to Torrance's test . Critics complain that knowing ways to use bricks has little to do with innovations or creativity in a large - scale social context .
Seite 62
Creativity , especially during the 1950s , epitomized the continuing collective effort to " feel good about one's self " ; its big - screen familial version of the European mix of Übermensch and sublimation made heroes out of happy - go ...
Creativity , especially during the 1950s , epitomized the continuing collective effort to " feel good about one's self " ; its big - screen familial version of the European mix of Übermensch and sublimation made heroes out of happy - go ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
7 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
according allowed already American android animal appears associated becomes begin Birth body called cinema comes concept connection creativity dead death describe desire dream effect eternal event Evita example experience experimental fact father figure finally fire flesh flux fragment Freud frog function future half-life hand Hitchcock human incorporation invention Italy kind later light living loss machine marks mass mathematics means memory Michigan mourning narrator nature never Nietzsche object once organization original painting passing past Perón perspective philosophy play political possible precisely present problem produces question radio reading relation requires rigor scene seems sense sexual social story sublimation suggests surface theory things thinking thought tion turn University Press writing York