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Seite 142
But they did so , the Cahiers du Cinema critics , very much from within the tradition , still , that Hitchcock was assaulting ; that is , under the figure of the auteur . The “ Hitchcock ” we are examining today , an effect of signature ...
But they did so , the Cahiers du Cinema critics , very much from within the tradition , still , that Hitchcock was assaulting ; that is , under the figure of the auteur . The “ Hitchcock ” we are examining today , an effect of signature ...
Seite 144
Hitchcock would know this and be aware of the Nietzschean parallel of eternal recurrence to his own MacGuffins associated with rings and returns , with cinematic spools and zero or ocular figures of time's backlooped ingestion of itself ...
Hitchcock would know this and be aware of the Nietzschean parallel of eternal recurrence to his own MacGuffins associated with rings and returns , with cinematic spools and zero or ocular figures of time's backlooped ingestion of itself ...
Seite 158
For Hitchcock , cinema implies an inversion of the received sense and practice of aesthetics — which shifts from being a domain of play and simulacrum to the site from which the phainesthai is engendered , senses programmed ...
For Hitchcock , cinema implies an inversion of the received sense and practice of aesthetics — which shifts from being a domain of play and simulacrum to the site from which the phainesthai is engendered , senses programmed ...
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On E T A Hoffmanns Jesuit Church in G MAR 29 | 9 |
Evita Out of the Waves | 28 |
inter urinas et faeces nascimur | 51 |
Urheberrecht | |
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