English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries).Edmund David Jones Oxford University Press, 1952 - 394 Seiten |
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Seite 240
... poem . Those who will not give it that title may call it ( if they please ) a divine poem . It will be sufficient to its perfection , if it has in it all the beauties of the highest kind of poetry ; and as for those who allege it is not ...
... poem . Those who will not give it that title may call it ( if they please ) a divine poem . It will be sufficient to its perfection , if it has in it all the beauties of the highest kind of poetry ; and as for those who allege it is not ...
Seite 245
... poets that ever wrote , in the multitude and variety of his characters . Every god that is admitted into his poem , acts a part which would have been suitable to no other deity . His princes are as much distinguished by their man- ners ...
... poets that ever wrote , in the multitude and variety of his characters . Every god that is admitted into his poem , acts a part which would have been suitable to no other deity . His princes are as much distinguished by their man- ners ...
Seite 247
... poem ; because there is not that measure of probability annexed to them , which is requisite in writings of this kind , as I shall show more at large hereafter . Virgil has , indeed , admitted Fame as an actress in the Aeneid , but the ...
... poem ; because there is not that measure of probability annexed to them , which is requisite in writings of this kind , as I shall show more at large hereafter . Virgil has , indeed , admitted Fame as an actress in the Aeneid , but the ...
Inhalt
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written