English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries).Edmund David Jones Oxford University Press, 1952 - 394 Seiten |
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Seite 202
... passion is either ordinary passion or enthusiasm . But , before we proceed , let us define poetry ; which is the first time that a definition has been given of that noble art ; for neither ancient nor modern critics have defined poetry ...
... passion is either ordinary passion or enthusiasm . But , before we proceed , let us define poetry ; which is the first time that a definition has been given of that noble art ; for neither ancient nor modern critics have defined poetry ...
Seite 203
... passion in a poem must be everywhere , so harmony is usually diffused throughout it . But passion answers the two ends of poetry better than harmony can do , and upon that account is preferable to it : for first it pleases more , which ...
... passion in a poem must be everywhere , so harmony is usually diffused throughout it . But passion answers the two ends of poetry better than harmony can do , and upon that account is preferable to it : for first it pleases more , which ...
Seite 205
... passion guided by judgement , whose cause is not comprehended by us . That it is a passion is plain , because it moves . That the cause is not comprehended is self - evident . That it ought to be guided by judgement is indu- bitable ...
... passion guided by judgement , whose cause is not comprehended by us . That it is a passion is plain , because it moves . That the cause is not comprehended is self - evident . That it ought to be guided by judgement is indu- bitable ...
Inhalt
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written