English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries).Edmund David Jones Oxford University Press, 1952 - 394 Seiten |
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Seite 180
... formed . The manners of Aeneas are those of Hector , super - added to those which Homer gave him . The adventures of Ulysses in the Odysseis are imitated in the first six books of Virgil's Aeneis ; and though the accidents are not the ...
... formed . The manners of Aeneas are those of Hector , super - added to those which Homer gave him . The adventures of Ulysses in the Odysseis are imitated in the first six books of Virgil's Aeneis ; and though the accidents are not the ...
Seite 337
... stanza of four lines alternately rhymed . Dryden very early formed his versification : there are in this early production no traces of Donne's or Jonson's ruggedness ; but he did not so soon free DRYDEN AS CRITIC AND POET 337.
... stanza of four lines alternately rhymed . Dryden very early formed his versification : there are in this early production no traces of Donne's or Jonson's ruggedness ; but he did not so soon free DRYDEN AS CRITIC AND POET 337.
Seite 392
... forming just ideas of a more perfect species of poetry . A visible revolution succeeded in the general cast and ... formed with the discernment and selection of a great poetical mind , were at once inter- rupted and abandoned ; and ...
... forming just ideas of a more perfect species of poetry . A visible revolution succeeded in the general cast and ... formed with the discernment and selection of a great poetical mind , were at once inter- rupted and abandoned ; and ...
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SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written