English Critical Essays (sixteenth, Seventeenth, and Eighteenth Centuries).Edmund David Jones Oxford University Press, 1952 - 394 Seiten |
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Seite 115
... action , the ancients meant no other by it than what the logicians do by their finis , the end or scope of any action - that which is the first in intention , and last in execution : now the poet is to aim at one great and complete action ...
... action , the ancients meant no other by it than what the logicians do by their finis , the end or scope of any action - that which is the first in intention , and last in execution : now the poet is to aim at one great and complete action ...
Seite 240
... action which it relates is more or less so . This action should have three qualifications in it . First , it should be but one action . Secondly , it should be an entire action ; and thirdly , it should be a great action . To consider the ...
... action which it relates is more or less so . This action should have three qualifications in it . First , it should be but one action . Secondly , it should be an entire action ; and thirdly , it should be a great action . To consider the ...
Seite 244
... action would be to the memory . The first would be , as it were , lost and swallowed up by it , and the other difficult to be contained in it . Homer and Virgil have shown their principal art in this particular ; the action of the Iliad ...
... action would be to the memory . The first would be , as it were , lost and swallowed up by it , and the other difficult to be contained in it . Homer and Virgil have shown their principal art in this particular ; the action of the Iliad ...
Inhalt
SIR PHILIP SIDNEY 155486 | 1 |
THOMAS CAMPION 15671620 | 55 |
SAMUEL DANIEL 15621619 | 61 |
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action admiration Aeneas Aeneid ancients Aristotle beauties Ben Jonson better blank verse characters Chaucer comedy commendation composition conceit Crites critics delight discourse divine doth Dryden English epic epic poetry Eugenius Euripides excellent fable Faerie Queene fame fancy father fault French genius give glory Gothic Greek hath heroic Homer honour Horace humour Iliad imagination imitation invention Jonson judge judgement kind labour language Latin learning lines Lisideius manner Milton mind modern Muse nature never noble numbers observed Ovid Paradise Lost passion perfection perhaps persons philosopher Pindar Plato Plautus play plot Plutarch poem Poesy poet poetical poetry praise prose reader reason rhyme Romans rules scene sense sentiments Shakespeare Silent Woman sometimes speak spirit stage stanza syllables things thought tion tragedy translated trochee true truth Virgil virtue words write written