The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 110
... urban culture , such as theater , craft fairs , parades , and clubs where music is performed . These other forms of urban culture are more likely to be controlled by groups from lower - middle or working - class backgrounds and often by ...
... urban culture , such as theater , craft fairs , parades , and clubs where music is performed . These other forms of urban culture are more likely to be controlled by groups from lower - middle or working - class backgrounds and often by ...
Seite 111
... urban cultures and the fact that the influence of elites in urban cultures is declining because they are no longer able to provide the entire budget for organizations such as symphony orchestras , opera houses , and art museums . As ...
... urban cultures and the fact that the influence of elites in urban cultures is declining because they are no longer able to provide the entire budget for organizations such as symphony orchestras , opera houses , and art museums . As ...
Seite 112
Media and the Urban Arts Diane Crane. ments in which these cultures emerge and their consequences for their urban environments , it is necessary to find a means of cate- gorizing them . Becker ( 1982 ) calls these urban cultures art ...
Media and the Urban Arts Diane Crane. ments in which these cultures emerge and their consequences for their urban environments , it is necessary to find a means of cate- gorizing them . Becker ( 1982 ) calls these urban cultures art ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York