The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 5
... types of information are available to all members of the audience . This situation does not have the effect of eliminating social differentiation but instead produces new types of social groups , which will be discussed in subsequent ...
... types of information are available to all members of the audience . This situation does not have the effect of eliminating social differentiation but instead produces new types of social groups , which will be discussed in subsequent ...
Seite 110
... types of culture had the effect of restricting the audience for them to elites and of increasing the visibility of these types of urban culture in comparison with other types of urban culture , such as theater , craft fairs , parades ...
... types of culture had the effect of restricting the audience for them to elites and of increasing the visibility of these types of urban culture in comparison with other types of urban culture , such as theater , craft fairs , parades ...
Seite 114
... types of culture worlds differ in terms of their aesthetic characteristics . In turn , when a style moves from one type of culture world to another , it generally undergoes a considerable transformation in aesthetic characteristics . I ...
... types of culture worlds differ in terms of their aesthetic characteristics . In turn , when a style moves from one type of culture world to another , it generally undergoes a considerable transformation in aesthetic characteristics . I ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York