The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 31
... theory of decoding / encoding . Attempts to test the theory empirically have shown that people do not interpret media content in the ways that the theory predicts and that the middle class , in particular , is more critical of existing ...
... theory of decoding / encoding . Attempts to test the theory empirically have shown that people do not interpret media content in the ways that the theory predicts and that the middle class , in particular , is more critical of existing ...
Seite 90
... Theory : Meaning and Audience Like structuralism , reception theory originated outside sociol- ogy , in this case , in the field of literary criticism . Allen ( 1989 ) has identified three major questions in this approach . First , how ...
... Theory : Meaning and Audience Like structuralism , reception theory originated outside sociol- ogy , in this case , in the field of literary criticism . Allen ( 1989 ) has identified three major questions in this approach . First , how ...
Seite 91
... theory hypothesizes that readers belong to interpretive communities , or communities of readers , who interpret the same text in similar ways because they share similar backgrounds and environments . Some interpretive communities are ...
... theory hypothesizes that readers belong to interpretive communities , or communities of readers , who interpret the same text in similar ways because they share similar backgrounds and environments . Some interpretive communities are ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York