The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 59
... successes and recycle old themes . Faulkner and Anderson ( 1987 , p . 904 ) show that film directors are rewarded more for economic success than for artistic innovation . Innovation is negatively correlated with the economic success of ...
... successes and recycle old themes . Faulkner and Anderson ( 1987 , p . 904 ) show that film directors are rewarded more for economic success than for artistic innovation . Innovation is negatively correlated with the economic success of ...
Seite 70
... Success in the first stage is vital for success in subse- quent stages . An example of such a multistage system is that of the popular music industry . Musicians are selected and recorded by record producers for record companies , but ...
... Success in the first stage is vital for success in subse- quent stages . An example of such a multistage system is that of the popular music industry . Musicians are selected and recorded by record producers for record companies , but ...
Seite 120
... successful because they are sponsored by influential gatekeepers . Success is engineered through a process of personal influence and the availability of material resources . The last two models are not mutually exclusive . The most suc ...
... successful because they are sponsored by influential gatekeepers . Success is engineered through a process of personal influence and the availability of material resources . The last two models are not mutually exclusive . The most suc ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York