The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 51
... structure of the market is no longer an important factor in determining the level of innovation . The structure of the market remains stable as small firms and large firms increasingly cooperate rather than compete with one another ...
... structure of the market is no longer an important factor in determining the level of innovation . The structure of the market remains stable as small firms and large firms increasingly cooperate rather than compete with one another ...
Seite 83
... structure , what is really being said underneath the surface content of the story . The technique was originally applied to primitive societies where con- ceivably one might find a single set of meanings that underlie all cultural ...
... structure , what is really being said underneath the surface content of the story . The technique was originally applied to primitive societies where con- ceivably one might find a single set of meanings that underlie all cultural ...
Seite 84
... structure , which can be reduced to a set of categories that are analogous to a game . The scheme is invariable in the sense that all the types of scenes are present in every novel , although the order sometimes varies . What prevents ...
... structure , which can be reduced to a set of categories that are analogous to a game . The scheme is invariable in the sense that all the types of scenes are present in every novel , although the order sometimes varies . What prevents ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York