The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 11
... specific medium and its audience or changes in the relationships between a specific medium and other media affect the ideological content and style of the cultural products it disseminates ? How does the ideological impact of a cultural ...
... specific medium and its audience or changes in the relationships between a specific medium and other media affect the ideological content and style of the cultural products it disseminates ? How does the ideological impact of a cultural ...
Seite 78
... Specific audiences may interpret cultural products in an entirely different way from what was intended by the creators of the material . In this chapter , I will discuss four approaches to the analysis of meaning , each of which differs ...
... Specific audiences may interpret cultural products in an entirely different way from what was intended by the creators of the material . In this chapter , I will discuss four approaches to the analysis of meaning , each of which differs ...
Seite 82
... specific works within a particular formula may vary considerably in their use of such devices . More complex versions of a formula sometimes achieve the status of literary masterpieces . 6 The framing model hypothesizes that the meaning ...
... specific works within a particular formula may vary considerably in their use of such devices . More complex versions of a formula sometimes achieve the status of literary masterpieces . 6 The framing model hypothesizes that the meaning ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York