The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 52
... record companies relied on an intricate network of companies that handled different aspects of the business , ranging from the retail record business to the ra- dio stations that brought products to the attention of the public ...
... record companies relied on an intricate network of companies that handled different aspects of the business , ranging from the retail record business to the ra- dio stations that brought products to the attention of the public ...
Seite 53
... record industry lasted for about three years in the mid - 1950s . It coincided with the loss of control over their system for displaying their records — the major radio networks - which disappeared because they could not compete with ...
... record industry lasted for about three years in the mid - 1950s . It coincided with the loss of control over their system for displaying their records — the major radio networks - which disappeared because they could not compete with ...
Seite 70
... record producers for record companies , but for their work to become familiar to audiences , their records must be selected by disk jockeys and played on radio stations . Many more records are produced than can be aired on these ...
... record producers for record companies , but for their work to become familiar to audiences , their records must be selected by disk jockeys and played on radio stations . Many more records are produced than can be aired on these ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York