The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 22
... problems has little impact on how many social problems enter the arena . The same could be said for other forms of content . A major factor is the very limited capacity of the arena itself in terms of the amount of content that it can ...
... problems has little impact on how many social problems enter the arena . The same could be said for other forms of content . A major factor is the very limited capacity of the arena itself in terms of the amount of content that it can ...
Seite 25
... problems are presented in terms of action to be taken by individuals rather than in terms of collective attempts to alter the social structural sources of such problems . Gitlin ( 1983 ) points out that the dominant ideology is itself ...
... problems are presented in terms of action to be taken by individuals rather than in terms of collective attempts to alter the social structural sources of such problems . Gitlin ( 1983 ) points out that the dominant ideology is itself ...
Seite 89
... problems faced by members of the social class , such as lack of educational and em- ployment opportunities . Working - class youth subcultures deal with their problems by developing a style that establishes their identity and defines ...
... problems faced by members of the social class , such as lack of educational and em- ployment opportunities . Working - class youth subcultures deal with their problems by developing a style that establishes their identity and defines ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York