The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 17
... perform a major role in defining reality for all members of society , within the frame- work of the dominant ideology . Hall regards this function per- formed by the core media as being necessary in modern societies because of the ...
... perform a major role in defining reality for all members of society , within the frame- work of the dominant ideology . Hall regards this function per- formed by the core media as being necessary in modern societies because of the ...
Seite 135
... perform in settings where actors and audience can mingle rather than use the traditional type of theatrical space ... performed individually or combined together for longer performances . An actor wearing a piglike mask will represent ...
... perform in settings where actors and audience can mingle rather than use the traditional type of theatrical space ... performed individually or combined together for longer performances . An actor wearing a piglike mask will represent ...
Seite 139
... perform new works , such works are unlikely to be performed in other cities ( DiMaggio & Stenberg , 1985 ) . Because the emphasis is on paying lip service to innovation , a work that has already been performed , and hence is not ...
... perform new works , such works are unlikely to be performed in other cities ( DiMaggio & Stenberg , 1985 ) . Because the emphasis is on paying lip service to innovation , a work that has already been performed , and hence is not ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York