The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 11
... past 30 years as a result of television , with the result that European theories of class culture are less and less applicable to American society . In Chapter 4 , I will discuss organizations in national culture industries ...
... past 30 years as a result of television , with the result that European theories of class culture are less and less applicable to American society . In Chapter 4 , I will discuss organizations in national culture industries ...
Seite 21
... past . Television undermines the authority of parents over children by providing children with a more sophisticated knowledge of adult patterns of interaction than it was usually possible for them to obtain from print media . This in ...
... past . Television undermines the authority of parents over children by providing children with a more sophisticated knowledge of adult patterns of interaction than it was usually possible for them to obtain from print media . This in ...
Seite 137
... past , due to a considerable expansion in the numbers of museums , symphony orchestras , and nonprofit theaters in the past 30 years ( Crane , 1987 ; DiMaggio & Stenberg , 1985 ) . However , outside of New York City , they are more ...
... past , due to a considerable expansion in the numbers of museums , symphony orchestras , and nonprofit theaters in the past 30 years ( Crane , 1987 ; DiMaggio & Stenberg , 1985 ) . However , outside of New York City , they are more ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York