The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 83
... novels reveals that all these novels are constructed in a similar manner using similar elements . These elements are organized in such a way as to maximize the reader's comprehen- sion of the central themes of the story . For this ...
... novels reveals that all these novels are constructed in a similar manner using similar elements . These elements are organized in such a way as to maximize the reader's comprehen- sion of the central themes of the story . For this ...
Seite 84
... novels entertaining by drawing on a wide range of materials that have been used in earlier novels , particularly those of the 19th century . Fleming is by no means as original as he seems . The inclusion of seemingly esoteric material ...
... novels entertaining by drawing on a wide range of materials that have been used in earlier novels , particularly those of the 19th century . Fleming is by no means as original as he seems . The inclusion of seemingly esoteric material ...
Seite 92
... novels also found that these women accepted some elements of these novels as " reality , " as sources of information that could contribute to their knowledge of the world , and at the same time focused on certain aspects of the novels ...
... novels also found that these women accepted some elements of these novels as " reality , " as sources of information that could contribute to their knowledge of the world , and at the same time focused on certain aspects of the novels ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York