The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 2
... mass culture and the superiority of the arts or high culture influenced an American school of mass culture theorists . According to Theodor Adorno , one of the leaders of the Frank- furt school , mass culture , like other industrial ...
... mass culture and the superiority of the arts or high culture influenced an American school of mass culture theorists . According to Theodor Adorno , one of the leaders of the Frank- furt school , mass culture , like other industrial ...
Seite 3
... Mass magazines such as Life and The Saturday Evening Post , which were marketed to the entire family , were characteristic of this period . Radio stations broadcast their material through national networks . Beginning in the mid - 1950s ...
... Mass magazines such as Life and The Saturday Evening Post , which were marketed to the entire family , were characteristic of this period . Radio stations broadcast their material through national networks . Beginning in the mid - 1950s ...
Seite 29
... mass media , cultural symbols disseminated by the mass media should facilitate people's identification with the society as a whole . Because face - to - face communication cannot be the means by which consensus is developed in large ...
... mass media , cultural symbols disseminated by the mass media should facilitate people's identification with the society as a whole . Because face - to - face communication cannot be the means by which consensus is developed in large ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York