The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 106
... lists what he considers to be the principal formulas : ( 1 ) adventure stories , which are about a hero overcoming obstacles and dangers to accomplish an important moral mission ; ( 2 ) romances , in which the author traces the ...
... lists what he considers to be the principal formulas : ( 1 ) adventure stories , which are about a hero overcoming obstacles and dangers to accomplish an important moral mission ; ( 2 ) romances , in which the author traces the ...
Seite 107
... lists in a small city in Ontario . 14. Ang's sample consisted of 42 people who responded to Ang's advertisement in a Dutch women's magazine for letters about their experiences watching Dallas . 15. See also Feuer ( 1984 ) and Seiter ...
... lists in a small city in Ontario . 14. Ang's sample consisted of 42 people who responded to Ang's advertisement in a Dutch women's magazine for letters about their experiences watching Dallas . 15. See also Feuer ( 1984 ) and Seiter ...
Seite 108
... list of the 100 top - grossing films for the year they were issued ; all of them were in the top 50 . 24. According to Meyers ( quoted in Crane , 1988 , p . 378 ) , these films are ex- tremely successful in monetary terms , because ...
... list of the 100 top - grossing films for the year they were issued ; all of them were in the top 50 . 24. According to Meyers ( quoted in Crane , 1988 , p . 378 ) , these films are ex- tremely successful in monetary terms , because ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York