The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 74
... limited to " demographics " ; consequently , their assumption about audience tastes are frequently wrong . Executives in the television and film industries tend to scan the other core and peripheral media for trends but as the latter ...
... limited to " demographics " ; consequently , their assumption about audience tastes are frequently wrong . Executives in the television and film industries tend to scan the other core and peripheral media for trends but as the latter ...
Seite 136
... limited . In the United States , ethnic groups and minorities also have difficulty in communicating their problems to other members of society and to one another . This is partly because they are not well served by the mass media and ...
... limited . In the United States , ethnic groups and minorities also have difficulty in communicating their problems to other members of society and to one another . This is partly because they are not well served by the mass media and ...
Seite 167
... limited to a relatively small number of First World countries . Again , the content in most demand is best - selling fiction ( Curwen , 1986 ) . Here , American multinational publishing firms share the global market with multi ...
... limited to a relatively small number of First World countries . Again , the content in most demand is best - selling fiction ( Curwen , 1986 ) . Here , American multinational publishing firms share the global market with multi ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York