The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
Im Buch
Ergebnisse 1-3 von 25
Seite 122
... jazz , the jazz musician perceived himself or herself as an artist rather than as a performer and disdained audiences that were unable to appreciate the aesthetic qualities of the music . A blues musician pointed out the difference ...
... jazz , the jazz musician perceived himself or herself as an artist rather than as a performer and disdained audiences that were unable to appreciate the aesthetic qualities of the music . A blues musician pointed out the difference ...
Seite 123
... jazz musicians lost their access to working - class clubs and bars.5 Some found niches in middle - class bars and nightclubs ; others were booked for tours by concert agencies . In the late 1940s , a new style of jazz , bop , was ...
... jazz musicians lost their access to working - class clubs and bars.5 Some found niches in middle - class bars and nightclubs ; others were booked for tours by concert agencies . In the late 1940s , a new style of jazz , bop , was ...
Seite 124
... jazz . These musicians and their successors became a kind of black musical elite , disdainful of their audience and commercialism and concerned only with the devel- opment of their music : the exploration of " new harmonic , melodic ...
... jazz . These musicians and their successors became a kind of black musical elite , disdainful of their audience and commercialism and concerned only with the devel- opment of their music : the exploration of " new harmonic , melodic ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York