The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 14
... interpret reality in the process of disseminating news and enter- tainment to the public . The principal objective of previous research was to assess whether or not individuals had absorbed specific items of information from the media ...
... interpret reality in the process of disseminating news and enter- tainment to the public . The principal objective of previous research was to assess whether or not individuals had absorbed specific items of information from the media ...
Seite 31
... interpret this material in different ways , depending on their own location in the social system . Individuals who belong to marginal groups or who occupy more marginal roles tend to interpret some materials on television in terms of ...
... interpret this material in different ways , depending on their own location in the social system . Individuals who belong to marginal groups or who occupy more marginal roles tend to interpret some materials on television in terms of ...
Seite 91
... interpret the same text in similar ways because they share similar backgrounds and environments . Some interpretive communities are more influential than others . Critics are more powerful than ordinary readers . Readers from less ...
... interpret the same text in similar ways because they share similar backgrounds and environments . Some interpretive communities are more influential than others . Critics are more powerful than ordinary readers . Readers from less ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York