The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 51
... industry by using new strategies for dealing with both small companies and consumers . The model of oligopoly control in which the structure of the market ... industry . By giving preference to each other's National Culture Industries 51.
... industry by using new strategies for dealing with both small companies and consumers . The model of oligopoly control in which the structure of the market ... industry . By giving preference to each other's National Culture Industries 51.
Seite 64
... industries produce cultural products that ap- peal to smaller segments of the population than those of the core industries . Coser , Kadushin , and Powell ( 1982 ) estimate that " the entire publishing industry would rank only 46th on ...
... industries produce cultural products that ap- peal to smaller segments of the population than those of the core industries . Coser , Kadushin , and Powell ( 1982 ) estimate that " the entire publishing industry would rank only 46th on ...
Seite 74
... industry are somewhat more responsive to the changing tastes of the public . However , the popular music industry was more adept at respond- ing to these changes than the publishing industry . One explanation may lie in the fact that ...
... industry are somewhat more responsive to the changing tastes of the public . However , the popular music industry was more adept at respond- ing to these changes than the publishing industry . One explanation may lie in the fact that ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York