The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 12
... increasing similar- ities of creative activities in the two areas . In conclusion , I will discuss the implications ... increasing numbers of television channels to viewers . Due to these factors , the advent of the videocassette ...
... increasing similar- ities of creative activities in the two areas . In conclusion , I will discuss the implications ... increasing numbers of television channels to viewers . Due to these factors , the advent of the videocassette ...
Seite 54
... increasing the influence and purchasing power of this part of their audience . According to Peterson and Berger ( 1975 ) , the period of turbu- lence in the mid - 1950s was followed by a period of stability and consolidation in the ...
... increasing the influence and purchasing power of this part of their audience . According to Peterson and Berger ( 1975 ) , the period of turbu- lence in the mid - 1950s was followed by a period of stability and consolidation in the ...
Seite 60
... increasing diversity of its products . So far , as a result of its domi- nation over the international film market ... increasingly important as com- petition from other media mounted . While a total of 3,600 feature films are made ...
... increasing diversity of its products . So far , as a result of its domi- nation over the international film market ... increasingly important as com- petition from other media mounted . While a total of 3,600 feature films are made ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York