The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 34
... high culture and low culture in the 19th century by taking over and controlling organizations that produced and dis- played certain forms of culture and by limiting lower class access to these settings through substantial admission fees ...
... high culture and low culture in the 19th century by taking over and controlling organizations that produced and dis- played certain forms of culture and by limiting lower class access to these settings through substantial admission fees ...
Seite 35
... culture and social stratification has been on the intrinsic differences between high culture and low culture and on the preferences of members of different social classes for different types of culture . Gans ( 1974 ) argues that modern ...
... culture and social stratification has been on the intrinsic differences between high culture and low culture and on the preferences of members of different social classes for different types of culture . Gans ( 1974 ) argues that modern ...
Seite 36
Media and the Urban Arts Diane Crane. attempt to increase the public for high culture ( e.g. , art museums ) does not really disseminate high culture to a wider audience . The democratization of high culture cannot be accomplished simply ...
Media and the Urban Arts Diane Crane. attempt to increase the public for high culture ( e.g. , art museums ) does not really disseminate high culture to a wider audience . The democratization of high culture cannot be accomplished simply ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York