The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
Im Buch
Ergebnisse 1-3 von 28
Seite 44
... fiction appeal to individuals with highly specific tastes , values , and intellectual interests that lead them to seek out one another and to form social communities . For example , science fiction fans are said to form a social ...
... fiction appeal to individuals with highly specific tastes , values , and intellectual interests that lead them to seek out one another and to form social communities . For example , science fiction fans are said to form a social ...
Seite 102
... fiction film and the horror film during this period provide further confirmation for these hypotheses . In the 1940s and 1950s , when the audience was larger and more heterogeneous , the science fiction film was much more superficial ...
... fiction film and the horror film during this period provide further confirmation for these hypotheses . In the 1940s and 1950s , when the audience was larger and more heterogeneous , the science fiction film was much more superficial ...
Seite 175
... fiction . Cambridge , MA : Harvard University Press . Balfe , J. ( 1989 ) . The baby - boom generation : Lost patrons , lost audience ? In M. J. Wyszomirski & P. Clubb ( Eds . ) , The cost of culture : Patterns and prospects of private ...
... fiction . Cambridge , MA : Harvard University Press . Balfe , J. ( 1989 ) . The baby - boom generation : Lost patrons , lost audience ? In M. J. Wyszomirski & P. Clubb ( Eds . ) , The cost of culture : Patterns and prospects of private ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
1 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York