The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 26
... a wide range of materials with the hope of finding some materials that will be especially meaningful to them . Members of marginal groups often achieve this result by interpreting material in ways that were not 26 THE PRODUCTION OF CULTURE.
... a wide range of materials with the hope of finding some materials that will be especially meaningful to them . Members of marginal groups often achieve this result by interpreting material in ways that were not 26 THE PRODUCTION OF CULTURE.
Seite 76
... especially pertinent : ( 1 ) the type of audience ( trade or professional ) and ( 2 ) profit or nonprofit ( e.g. , commercial publishing houses com- pared with university presses , which are typically subsidized ) . 11. The traditional ...
... especially pertinent : ( 1 ) the type of audience ( trade or professional ) and ( 2 ) profit or nonprofit ( e.g. , commercial publishing houses com- pared with university presses , which are typically subsidized ) . 11. The traditional ...
Seite 113
... especially conducive for the production of culture that is either aesthetically original , ideologically provocative , or both . This is partly because these networks attract the young who are likely to have fresh perspectives on ...
... especially conducive for the production of culture that is either aesthetically original , ideologically provocative , or both . This is partly because these networks attract the young who are likely to have fresh perspectives on ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York