The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 110
... Elite control over these types of culture had the effect of restricting the audience for them to elites and of ... elite . The social elite's interest in culture has been interpreted as self - serving in terms of prestige and social ...
... Elite control over these types of culture had the effect of restricting the audience for them to elites and of ... elite . The social elite's interest in culture has been interpreted as self - serving in terms of prestige and social ...
Seite 111
... elite forms of urban culture is increasing , are not disinterested and generally seek , directly or indirectly , to benefit from their associa- tion with these forms of culture . Third , the existing model of elite control of urban ...
... elite forms of urban culture is increasing , are not disinterested and generally seek , directly or indirectly , to benefit from their associa- tion with these forms of culture . Third , the existing model of elite control of urban ...
Seite 147
... elite . Members of this social elite are represented on the staffs and governing boards of arts institutions and are responsible for virtu- ally all private arts patronage . DiMaggio and Useem ( 1978a ) argue that elites benefit ...
... elite . Members of this social elite are represented on the staffs and governing boards of arts institutions and are responsible for virtu- ally all private arts patronage . DiMaggio and Useem ( 1978a ) argue that elites benefit ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York