The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 113
... Creators , Performers , and Entrepreneurs Network - oriented Isolated networks Middle Working Academic experimental ... creators themselves and between creators and their audiences . The emergence of new cultural styles is usually ...
... Creators , Performers , and Entrepreneurs Network - oriented Isolated networks Middle Working Academic experimental ... creators themselves and between creators and their audiences . The emergence of new cultural styles is usually ...
Seite 114
... creators ' activities be- comes the organization itself rather than a network of fellow creators . The goal is to produce work that will please an audience or a clientele rather than to shock or provoke . Some of these creators resemble ...
... creators ' activities be- comes the organization itself rather than a network of fellow creators . The goal is to produce work that will please an audience or a clientele rather than to shock or provoke . Some of these creators resemble ...
Seite 120
... creators develops new criteria for aes- thetic judgment that are appropriate for their cultural products . If these new criteria are accepted by gatekeepers , the new group will be successful . In other words , culture creators do not ...
... creators develops new criteria for aes- thetic judgment that are appropriate for their cultural products . If these new criteria are accepted by gatekeepers , the new group will be successful . In other words , culture creators do not ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York