The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 164
... countries ) , and Third World ( less - developed economies ) . As we will see , global culture is largely confined to First World countries . It has been generally excluded from Second World countries in which governments until recently ...
... countries ) , and Third World ( less - developed economies ) . As we will see , global culture is largely confined to First World countries . It has been generally excluded from Second World countries in which governments until recently ...
Seite 168
... countries , all but one of which is in the First World ( Curwen , 1986 , pp . 70 , 72 ) . Advertising is another form of peripheral media culture , but one that is much more concentrated in terms of the shares of revenues received by a ...
... countries , all but one of which is in the First World ( Curwen , 1986 , pp . 70 , 72 ) . Advertising is another form of peripheral media culture , but one that is much more concentrated in terms of the shares of revenues received by a ...
Seite 169
... countries has little impact in the United States and the United Kingdom . The same is true for music from Third World countries with the ex- ception of reggae from Jamaica . However , there are regional flows of music between some ...
... countries has little impact in the United States and the United Kingdom . The same is true for music from Third World countries with the ex- ception of reggae from Jamaica . However , there are regional flows of music between some ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York