The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 82
... complex and elusive to be transmitted in this manner.5 The same types of devices can be identified in prose narratives . Cawelti and Rosenberg ( 1987 ) show that specific works within a particular formula may vary considerably in their ...
... complex and elusive to be transmitted in this manner.5 The same types of devices can be identified in prose narratives . Cawelti and Rosenberg ( 1987 ) show that specific works within a particular formula may vary considerably in their ...
Seite 142
... complex and avant - garde music , the least complex . Gilmore argues that organizational complexity is nega- tively correlated with innovation . In terms of Chart 6.1 , repertory concert music is located in nonprofit organizations ...
... complex and avant - garde music , the least complex . Gilmore argues that organizational complexity is nega- tively correlated with innovation . In terms of Chart 6.1 , repertory concert music is located in nonprofit organizations ...
Seite 163
... complex networks involv- ing actors from many different countries . New technologies are produced in complex international collaborations involving com- panies from many different countries . Appadurai hypothesizes that each of these ...
... complex networks involv- ing actors from many different countries . New technologies are produced in complex international collaborations involving com- panies from many different countries . Appadurai hypothesizes that each of these ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York