The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 52
... companies and independent distrib- utors . If a small company produced a hit , the big companies could instantly produce their own versions and market them . The broad- casting industry was essential to the record industry as a means ...
... companies and independent distrib- utors . If a small company produced a hit , the big companies could instantly produce their own versions and market them . The broad- casting industry was essential to the record industry as a means ...
Seite 54
... companies ( one owned by blacks ) entered the top four . As predicted by the oligop- oly model , there was a high level of innovation during this period ( it has been called the golden age of rock ) . Major companies were forced to ...
... companies ( one owned by blacks ) entered the top four . As predicted by the oligop- oly model , there was a high level of innovation during this period ( it has been called the golden age of rock ) . Major companies were forced to ...
Seite 56
... companies succeeded in maintain- ing control over these industries and appeared to be increasingly invulnerable to periods of turbulence . Music companies followed several new strategies to maintain control over the market . The major ...
... companies succeeded in maintain- ing control over these industries and appeared to be increasingly invulnerable to periods of turbulence . Music companies followed several new strategies to maintain control over the market . The major ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York