The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 84
... characters that are familiar to most readers from childhood fairy tales and elemental conflicts based on universal values , the author maximizes the likelihood of communicating with the widest possible audience . Eco points out that ...
... characters that are familiar to most readers from childhood fairy tales and elemental conflicts based on universal values , the author maximizes the likelihood of communicating with the widest possible audience . Eco points out that ...
Seite 85
Media and the Urban Arts Diane Crane. conflict . In other words , each character represents a set of values that is conveyed to the audience by means of similarities and differences with other characters . To illustrate this approach ...
Media and the Urban Arts Diane Crane. conflict . In other words , each character represents a set of values that is conveyed to the audience by means of similarities and differences with other characters . To illustrate this approach ...
Seite 99
... characters in soap operas has followed demographic changes in the American population as perceived by the producers ... characters on the program were discussing business matters rather than family problems . The proportion of female ...
... characters in soap operas has followed demographic changes in the American population as perceived by the producers ... characters on the program were discussing business matters rather than family problems . The proportion of female ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York