The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 1
... central role , affecting all aspects of contemporary social life ( Denzin , 1986 ) . In this book , I will be concerned with how media entertainment varies under different conditions of production and consumption . What types of ...
... central role , affecting all aspects of contemporary social life ( Denzin , 1986 ) . In this book , I will be concerned with how media entertainment varies under different conditions of production and consumption . What types of ...
Seite 79
... central idea that frames an issue . The central idea is conveyed through a characteristic image , meta- phor , or catchphrase . The frame is the central idea that is used to make sense of relevant events . It tells the audience how to ...
... central idea that frames an issue . The central idea is conveyed through a characteristic image , meta- phor , or catchphrase . The frame is the central idea that is used to make sense of relevant events . It tells the audience how to ...
Seite 83
... central themes of the story . For this reason , there are four principal characters in all of the novels : the hero ( Bond ) , his boss , a villain , and a woman . Each of these characters represents basic values , such as love - death ...
... central themes of the story . For this reason , there are four principal characters in all of the novels : the hero ( Bond ) , his boss , a villain , and a woman . Each of these characters represents basic values , such as love - death ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York