The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 41
... audiences in terms of lifestyle rather than social class . Audiences for Core Media : Television and Film Television attracts the largest audience of any media . In one week more people watch a particular program than the total audi ...
... audiences in terms of lifestyle rather than social class . Audiences for Core Media : Television and Film Television attracts the largest audience of any media . In one week more people watch a particular program than the total audi ...
Seite 81
... audience what's happening next . ” In films of this kind , the story is told in such a way that members of the audience are expected to have the illusion that they are watching events in real life . They are expected to identify with ...
... audience what's happening next . ” In films of this kind , the story is told in such a way that members of the audience are expected to have the illusion that they are watching events in real life . They are expected to identify with ...
Seite 96
... audiences are more indeterminate , since more stereotyped products are communi- cated more readily to heterogeneous audiences with diverse back- grounds and outlooks . This does not imply that the audience totally accepts the messages ...
... audiences are more indeterminate , since more stereotyped products are communi- cated more readily to heterogeneous audiences with diverse back- grounds and outlooks . This does not imply that the audience totally accepts the messages ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York