The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 36
... associated with it have an irrevocable impact on an adult's cultural tastes . According to Bourdieu , the arts and cultural consumption gen- erally fill the social function of legitimating social differences . Social class distinctions ...
... associated with it have an irrevocable impact on an adult's cultural tastes . According to Bourdieu , the arts and cultural consumption gen- erally fill the social function of legitimating social differences . Social class distinctions ...
Seite 40
... associated with the 36,000 zip codes in the United States . He argues that zip codes represent neighborhoods that are inhabited by distinct social groups with different preferences for consumer goods , media , and leisure activities ...
... associated with the 36,000 zip codes in the United States . He argues that zip codes represent neighborhoods that are inhabited by distinct social groups with different preferences for consumer goods , media , and leisure activities ...
Seite 118
... associated with an avant - garde , they must be working in network - oriented culture worlds where other artists have received that definition . In addition , they must have some awareness of one another as a social group . The greater ...
... associated with an avant - garde , they must be working in network - oriented culture worlds where other artists have received that definition . In addition , they must have some awareness of one another as a social group . The greater ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York