The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 23
... , an image , or a document . Each time cultural icons such as the Mona Lisa or pho- tographs of Marilyn Monroe are reproduced , the images project new or modified meanings , depending on whether they appear The Media Culture Paradigm 23.
... , an image , or a document . Each time cultural icons such as the Mona Lisa or pho- tographs of Marilyn Monroe are reproduced , the images project new or modified meanings , depending on whether they appear The Media Culture Paradigm 23.
Seite 31
... appear in the aggregate when one compares strips of sequential programming . Then it becomes evident that , at the level of the cultural arena , a wider range of viewpoints can be detected and are presented in a variety of ways . At the ...
... appear in the aggregate when one compares strips of sequential programming . Then it becomes evident that , at the level of the cultural arena , a wider range of viewpoints can be detected and are presented in a variety of ways . At the ...
Seite 53
... appears to occur for relatively short periods of time and tends to be associated with periods of abrupt change in the ... appear . Both record companies and film companies experienced turbu- lent environments in the 1950s . At that time ...
... appears to occur for relatively short periods of time and tends to be associated with periods of abrupt change in the ... appear . Both record companies and film companies experienced turbu- lent environments in the 1950s . At that time ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York