The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 164
... countries rather than others . Conse- quently , global culture , to the extent that it could be said to exist , is a ... World ( consisting of the industrial market economies ) , Second World ( Socialist and Communist countries ) , and ...
... countries rather than others . Conse- quently , global culture , to the extent that it could be said to exist , is a ... World ( consisting of the industrial market economies ) , Second World ( Socialist and Communist countries ) , and ...
Seite 168
... global market than in the core media culture . For example , American imports of books exceed exports of books for eight countries , all but one of which is in the First World ( Curwen , 1986 , pp . 70 , 72 ) . Advertising is another form ...
... global market than in the core media culture . For example , American imports of books exceed exports of books for eight countries , all but one of which is in the First World ( Curwen , 1986 , pp . 70 , 72 ) . Advertising is another form ...
Seite 169
... of resources . This means that musicians recorded by independent companies either in advanced or Third World countries have the possibility of competing with the products of the major companies , and occasionally they do . What is the ...
... of resources . This means that musicians recorded by independent companies either in advanced or Third World countries have the possibility of competing with the products of the major companies , and occasionally they do . What is the ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York