The Production of Culture: Media and the Urban ArtsSAGE Publications, 14.05.1992 - 198 Seiten The phrase `production of culture' is concerned with how the organizations in which culture is produced and disseminated affect the nature of culture itself. Yet there is no clear consensus on what is meant by this phrase. Crane, in reviewing and synthesizing current research, provides a systematic and accessible approach to this complex subject. She examines the issue on both popular and elite levels. The reader is thus allowed to see how the notion of `production' changes depending on the size of the audience and the structure of the particular cultural industry. |
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Seite 111
... city that fits older American cities rather than the newer and most rapidly expanding urban areas . Cities with well - defined downtown neighborhoods where culture organizations can be clustered differ greatly in the nature and variety ...
... city that fits older American cities rather than the newer and most rapidly expanding urban areas . Cities with well - defined downtown neighborhoods where culture organizations can be clustered differ greatly in the nature and variety ...
Seite 137
... city . Consequently , business has encour- aged and supported the arts to benefit from increasing property values in the inner city ( Whitt & Share , 1988 ) . Zukin ( 1982 ) argues that these changes appeared to be the result of market ...
... city . Consequently , business has encour- aged and supported the arts to benefit from increasing property values in the inner city ( Whitt & Share , 1988 ) . Zukin ( 1982 ) argues that these changes appeared to be the result of market ...
Seite 138
... cities are now attempting to use an arts - based development strategy in their inner city neighborhoods in order to expand their economies by attract- ing corporate investment as well as tourists and suburban resi- dents . Developers ...
... cities are now attempting to use an arts - based development strategy in their inner city neighborhoods in order to expand their economies by attract- ing corporate investment as well as tourists and suburban resi- dents . Developers ...
Inhalt
The Media Culture Paradigm | 13 |
Approaches to the Analysis | 77 |
Media Culture Urban Arts Culture | 143 |
Urheberrecht | |
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According activities advertising aesthetic American society argues artists audience avant-garde behavior best-selling cable Cantor changes characteristics conglomerates consumer contemporary core corporations country music created creators cultural arena cultural organizations cultural products culture industries define demographic DiMaggio disseminated dominant effects elite experimental music film industry forms of culture gatekeepers genre global culture high culture horror film ideology impact important increasing increasingly influence innovation interpret jazz lifestyles mass media means media culture middle-class museums musicians national culture industries networks novels oligopoly perform period peripheral Peterson political popular culture popular music population programs Reception theory record companies recorded culture rock music role romance novels segments sitcom soap operas social class social groups specific structure style subcultures success symphony orchestras tastes television tend theaters theory tion types of culture urban arts urban cultures values viewers World countries York