The Actor: A Treatise on the Art of Playing, Interspersed with Theatrical Anecdotes, Critical Remarks on Plays, and Occasional Observations on AudiencesB. Blom, 1971 - 326 Seiten Thoughts on acting interspersed with theatrical anectdotes, critical remarks on plays, and occasional observations on audiences. |
Im Buch
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Seite 16
... feel what he does not feel himself , and will always be as different from the thing he is to represent , as a maík from a face . The being able to fubject the foul to fucceed- ing paffions , tho ' they be contrary ones , as is ...
... feel what he does not feel himself , and will always be as different from the thing he is to represent , as a maík from a face . The being able to fubject the foul to fucceed- ing paffions , tho ' they be contrary ones , as is ...
Seite 43
... feel How sharper than a ferpent's tooth it is To have a thanklefs child . We wou'd not be understood , even in this emi- nent view of the fuperiority on the fide of the player , who has both feeling and elocution , to mean that he who ...
... feel How sharper than a ferpent's tooth it is To have a thanklefs child . We wou'd not be understood , even in this emi- nent view of the fuperiority on the fide of the player , who has both feeling and elocution , to mean that he who ...
Seite 106
... Feeling . IT T is a maxim as old as the days of Horace ; if you wou'd have me shed tears , you must weep your felf first ... feel : In order to his utmost fuccefs , it is neceffary that he imagine himself to be , nay that he for the time ...
... Feeling . IT T is a maxim as old as the days of Horace ; if you wou'd have me shed tears , you must weep your felf first ... feel : In order to his utmost fuccefs , it is neceffary that he imagine himself to be , nay that he for the time ...
Inhalt
CONTENTS | 1 |
Whether an Actor can have too much Fire? | 28 |
CHAP IV | 52 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
abfolutely abfurd actor actreſs affected againſt alfo Andromache applaufe audience beauty becauſe cafe cenfure character circumftances comedy Comus confequence cou'd deliver'd delivers dignity eafily expreffion exprefs fame fcene feem felves fenfe fenfible fentiments ferve feveral fhall fhew fhould fineffes firft firſt fome fomething form'd foul fpeaking fpeech fpirit ftage fubject fucceed fuch fufficient fuperior fuppofe fure Garrick geftures give greateſt heart heroe himſelf houſe inftance intereft itſelf juft juftice kind leaſt lefs manner meaſure merit moft moſt muft muſt nature neceffary neceffity never obferve occafion Othello ourſelves paffages paffion peculiar perfon performer play play'd player pleafing pleaſe pleaſure poet poffible prefent profeffion Pyrrhus Quin racter reafon reft reprefent repreſentation ſcene ſee ſhall ſhe ſpeak ſpoke ſtage thee thefe themſelves theſe thing thofe thoſe thou thouſand thro throw tragedy underſtanding uſe utmoſt voice whofe wou'd