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Seite 55
Leo depends upon this process which we see again when he retells Mardou's story about a shop where she encounters a man in a wheel chair surrounded by animals . The story delineates the life - affirming grotesque transformation down ...
Leo depends upon this process which we see again when he retells Mardou's story about a shop where she encounters a man in a wheel chair surrounded by animals . The story delineates the life - affirming grotesque transformation down ...
Seite 75
The story that we have been following up to this point becomes increasingly bizarre , dreamlike and episodic . The other story , played out in linear future set , is real and logical within the limited framework " [ 1990 , 50-51 ] ) .
The story that we have been following up to this point becomes increasingly bizarre , dreamlike and episodic . The other story , played out in linear future set , is real and logical within the limited framework " [ 1990 , 50-51 ] ) .
Seite 80
Eric Mottram describes the story from The Wild Boys " Tío Mate Smiles " as " told in cinematic methods of metamorphosis ( pan , zoom , track and montage ) which are developed with new skills here and in Exterminator !
Eric Mottram describes the story from The Wild Boys " Tío Mate Smiles " as " told in cinematic methods of metamorphosis ( pan , zoom , track and montage ) which are developed with new skills here and in Exterminator !
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Inhalt
Kerouacs Poetics of Intimacy | 8 |
Johnson | 22 |
Nancy McCampbell Grace | 39 |
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