Teaching Beat LiteratureCollege Literature, West Chester University, 2000 - 274 Seiten |
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Seite 70
... film is figured as the dominant monopolistic tool of State authority : " The reality film has now become an instrument and weapon of monopoly . The full weight of the film is directed against anyone who calls the film in question , with ...
... film is figured as the dominant monopolistic tool of State authority : " The reality film has now become an instrument and weapon of monopoly . The full weight of the film is directed against anyone who calls the film in question , with ...
Seite 71
... film medium .... What we were trying to do was jar peo- ple into an awareness [ of the unconscious mind ] by actually showing them mechanisms of perception that , of course , go on all the time " ( 1991 , 79 ) . Imitating that ...
... film medium .... What we were trying to do was jar peo- ple into an awareness [ of the unconscious mind ] by actually showing them mechanisms of perception that , of course , go on all the time " ( 1991 , 79 ) . Imitating that ...
Seite 75
... film we're about to see " to his potential pro- ducer : " Now B.J. you are asking me to tell you in one sentence what this film is about ? " 30 As in Naked Lunch , we are in the " film within a film " world of ontological confusion as ...
... film we're about to see " to his potential pro- ducer : " Now B.J. you are asking me to tell you in one sentence what this film is about ? " 30 As in Naked Lunch , we are in the " film within a film " world of ontological confusion as ...
Inhalt
Kerouacs Poetics of Intimacy | 8 |
Johnson | 22 |
Nancy McCampbell Grace | 39 |
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Häufige Begriffe und Wortgruppen
Acosta addiction Allen Ginsberg Amsterdam anthology artistic Beat Culture Beat movement Beat writers Beatnik becomes Blake Bob Kaufman body Brinkmann Burroughs 1990 Burroughs's Cassady celebrity Chicano City Lights Corso critical Desolation Angels Dharma Bums drugs Dutch Dutch Schultz edition editor essay ethnic experience Fauser fellaheen Ferlinghetti fiction Fiftiers figure film German grotesque Grove Press hipster Howl human Jack Kerouac Jack Spicer Jack's Journal language literary literature living Lowell Maggie Cassidy male Mardou Mountains and Rivers movie Naked Lunch narrative narrator nature Negro novel O'Hara painting poem poet poetic political postmodern prose published queer reader reading Reprint Rivers Without End Road Robert San Francisco scene sexual Simon Vinkenoog Snyder social Spicer story Studies tion tradition Tristessa University Press Vanity of Duluoz Vinkenoog Visions of Cody visual Waldman William Burroughs women Wondratschek words York