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Seite 50
Whiteness becomes a class charade ; race is nothing more than class in fancy dress . Maggie intuits this and urges Jack to return to Lowell . But her speech , less that of a working - class Irish girl than it is Kerouac's own language ...
Whiteness becomes a class charade ; race is nothing more than class in fancy dress . Maggie intuits this and urges Jack to return to Lowell . But her speech , less that of a working - class Irish girl than it is Kerouac's own language ...
Seite 58
In this sense , Tristessa becomes an extension of Jack's psyche , an expression of his abjection , his selfloathing , and his condemnation of American culture . Such darkness cannot long withstand the light of day .
In this sense , Tristessa becomes an extension of Jack's psyche , an expression of his abjection , his selfloathing , and his condemnation of American culture . Such darkness cannot long withstand the light of day .
Seite 59
His deification of her and his belief that he loves her are worthless anodynes , and as she becomes more maniacal , her body begins to implode . In Part 1 , she has convulsions , and in Part 2 , her entire body , particularly the lower ...
His deification of her and his belief that he loves her are worthless anodynes , and as she becomes more maniacal , her body begins to implode . In Part 1 , she has convulsions , and in Part 2 , her entire body , particularly the lower ...
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Inhalt
Kerouacs Poetics of Intimacy | 8 |
Johnson | 22 |
Nancy McCampbell Grace | 39 |
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