Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 54
... turn " a thing " like Othello a middle - aged Ethiopian mercenary and outsider into a desirable mate for a Desdemona , and that can turn disaster , flood , slaughter , cannibalism , ap- palling freaks of nature , and other " bragging ...
... turn " a thing " like Othello a middle - aged Ethiopian mercenary and outsider into a desirable mate for a Desdemona , and that can turn disaster , flood , slaughter , cannibalism , ap- palling freaks of nature , and other " bragging ...
Seite 183
... turn " or third lapse of belief in Cleopatra , Scarus describes his wildly oscil- lating swings of emotion : " Antony / Is valiant , and dejected , and by starts / His fretted fortunes give him hope and fear / Of what he has , and has ...
... turn " or third lapse of belief in Cleopatra , Scarus describes his wildly oscil- lating swings of emotion : " Antony / Is valiant , and dejected , and by starts / His fretted fortunes give him hope and fear / Of what he has , and has ...
Seite 349
... turn , it is plucked and borrowed from . Even as I talk about the transactions that pass between these two sectors - the court and the popular stage - it is important to re- member that Shakespeare's theater lies in the middle ...
... turn , it is plucked and borrowed from . Even as I talk about the transactions that pass between these two sectors - the court and the popular stage - it is important to re- member that Shakespeare's theater lies in the middle ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York