Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 51
... reference to Olivia . When Viola looks at Olivia's uncovered face she says , " I see what you are , you are too proud ; / But if you were the Devil , you are fair " ( I.v.269-70 ) . 6 The reference to the sea of time in this passage has ...
... reference to Olivia . When Viola looks at Olivia's uncovered face she says , " I see what you are , you are too proud ; / But if you were the Devil , you are fair " ( I.v.269-70 ) . 6 The reference to the sea of time in this passage has ...
Seite 58
... references to suggest telescoping of time , so there is no way of assuming that more than the approximately half an hour's stage time is elapsed . The one " timing " event that the scene contains is Desdemona's reference to " your ...
... references to suggest telescoping of time , so there is no way of assuming that more than the approximately half an hour's stage time is elapsed . The one " timing " event that the scene contains is Desdemona's reference to " your ...
Seite 375
... reference by Simple ( I , i , 211 ) ' to the use of a Book of Riddles on ' Allhallowmas last ' is interesting but inconclusive . And Mistress Page's reference to the fact that Herne the hunter wanders in the winter forest ( I , iv , 30 ) ...
... reference by Simple ( I , i , 211 ) ' to the use of a Book of Riddles on ' Allhallowmas last ' is interesting but inconclusive . And Mistress Page's reference to the fact that Herne the hunter wanders in the winter forest ( I , iv , 30 ) ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York