Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 55
... question of interpretation almost immediately when we get into it , but concentrating for the moment just on the speech itself , we note very clearly first that its primary subject is words and their ambiguities . It is worth quoting ...
... question of interpretation almost immediately when we get into it , but concentrating for the moment just on the speech itself , we note very clearly first that its primary subject is words and their ambiguities . It is worth quoting ...
Seite 81
... question it . But in this play , not even skepticism is a secure position : Enobarbus shows us that . He persistently questions the sincerity of the pas- sions , but when he follows his reason , he dies of a broken heart . At his death ...
... question it . But in this play , not even skepticism is a secure position : Enobarbus shows us that . He persistently questions the sincerity of the pas- sions , but when he follows his reason , he dies of a broken heart . At his death ...
Seite 238
... question this patriar- chal system of inheritance is not surprising once we remember that he lived most of his life in a country ruled by a virgin queen and that he himself had no living male heirs . ' As Stephen Dedalus sums up in the ...
... question this patriar- chal system of inheritance is not surprising once we remember that he lived most of his life in a country ruled by a virgin queen and that he himself had no living male heirs . ' As Stephen Dedalus sums up in the ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York