Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
Im Buch
Ergebnisse 1-3 von 88
Seite 75
... never recover ' ; and in the phrase ' his biting is immortal ' the whole notion of immortality is beheld in the perspective of irony . It is the death - bringing worm which becomes immortal . We are reminded of Isaiah 66 : And they ...
... never recover ' ; and in the phrase ' his biting is immortal ' the whole notion of immortality is beheld in the perspective of irony . It is the death - bringing worm which becomes immortal . We are reminded of Isaiah 66 : And they ...
Seite 124
... never gives audience , never exercises the function of her great office . Love seems to be her only aim in life.s If Shakespeare's Cleopatra is inferior to Plutarch's as a person , she is surely not so as an artistic creation ...
... never gives audience , never exercises the function of her great office . Love seems to be her only aim in life.s If Shakespeare's Cleopatra is inferior to Plutarch's as a person , she is surely not so as an artistic creation ...
Seite 257
... never as misguided as her husband or father , and thus never needed to travel as far epistemologi- cally : for obvious reasons , she never did suffer from what Terence Cave calls " male epistemophilia , " a type of disease in which ...
... never as misguided as her husband or father , and thus never needed to travel as far epistemologi- cally : for obvious reasons , she never did suffer from what Terence Cave calls " male epistemophilia , " a type of disease in which ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York