Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 38
... lovers , and with hardly more success . In V.ii , the ladies of France are found comparing the favors they have received from their several suitors , and passing hard judgments on the conduct of the lovers , who have by now given over ...
... lovers , and with hardly more success . In V.ii , the ladies of France are found comparing the favors they have received from their several suitors , and passing hard judgments on the conduct of the lovers , who have by now given over ...
Seite 40
... lovers , even as the lovers have been flouted by the ladies ; folly is mocked out of countenance , from the King to the pedant . But at the height of the mer- riment , word is brought of the death of the King of France , and the scene ...
... lovers , even as the lovers have been flouted by the ladies ; folly is mocked out of countenance , from the King to the pedant . But at the height of the mer- riment , word is brought of the death of the King of France , and the scene ...
Seite 169
... lovers ' union , how- ever tragic , with Romeo , who finally approaches the wife he parted from in Act III , scene v . His last speech is a celebration of Juliet's beauty , transforming death into an amorous lover who sucks the honey of ...
... lovers ' union , how- ever tragic , with Romeo , who finally approaches the wife he parted from in Act III , scene v . His last speech is a celebration of Juliet's beauty , transforming death into an amorous lover who sucks the honey of ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York