Shakespearean CriticismMichelle Lee Cengage Gale, 1999 - 420 Seiten Presents literary criticism on the plays and poetry of Shakespeare. Critical essays are selected from leading sources, including journals, magazines, books, reviews, diaries, newspapers, pamphlets, and scholarly papers. Includes commentary by Shakespeare's contemporaries as well as a full range of views from later centuries, with an emphasis on contemporary analysis. Includes aesthetic criticism, textual criticism, and criticism of Shakespeare in performance. |
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Seite 1
... language . While Shakespeare's characters strive to deceive each other through disingenuous dialogue , Shakespeare him- self attempts to deceive his audience and readers through the language and structure of his plays . In four plays ...
... language . While Shakespeare's characters strive to deceive each other through disingenuous dialogue , Shakespeare him- self attempts to deceive his audience and readers through the language and structure of his plays . In four plays ...
Seite 2
... language . His plays- themselves a deception in the sense that they are fic- tions , or theatrical illusions - reveal a fascination with the power of language to not only deceive , but to in- spire and to reveal truth and self ...
... language . His plays- themselves a deception in the sense that they are fic- tions , or theatrical illusions - reveal a fascination with the power of language to not only deceive , but to in- spire and to reveal truth and self ...
Seite 22
... language and his positivism about Tudor politics . The best talker in the play is Richard , and he is a good doer . He is not , however , a good doer . The Earl of Richmond is a good doer , in that his forces prevail , and he is a good ...
... language and his positivism about Tudor politics . The best talker in the play is Richard , and he is a good doer . He is not , however , a good doer . The Earl of Richmond is a good doer , in that his forces prevail , and he is a good ...
Inhalt
Deception in Shakespeares Plays | 1 |
Antony and Cleopatra | 70 |
Cymbeline | 205 |
Urheberrecht | |
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action actor Antony and Cleopatra Antony's appears audience becomes Caesar Caius character Cleo Cloten comedy comic critics Cymbeline Cymbeline's death desire disguise dramatic dream Egypt Elizabethan Enobarbus Falstaff father female fiction final Ford Ford's Garter genre Guiderius Hal's Hamlet hath Henry Henry IV Herne the Hunter hero heroine honor husband Iachimo identity imagination Imogen Jack-a-Lent King King Lear knight Lear London lovers Macbeth male marriage Merry Wives Mistress moral nature noble Nosworthy Octavius Othello patra Pisanio play's plot political Pompey Posthumus Posthumus's Prince protagonists queen Renaissance rhetorical Richard Richard III role Roman Rome Romeo and Juliet says scene seems sense sexual Shake Shakespeare speaks speare speare's speech stage suggests theatrical thee theme thou tion tragedy tragic truth Univ University Press vision wager wife Windsor Winter's Tale witch Wives of Windsor woman women words York